Long-time house architect Louie Vega dropped his comprehensive last album, ‘Expansions In The NYC’, as another homage to New York City’s 50-year history with dance music. It was full of vocal collaborations and spanned disco, boogie and all forms of house. ‘Touch The Sky’ feat Tony Momrelle is the latest track from it to get full remix treatment, following on from ‘All My Love’ late last year.

First to offer his own perspective is Japan’s Masaki Morii, a regular on the likes of King Street and Shelter, as well as the founder of his own M2SOUL MUSIC & NU ONE. He bridges soul, deep and Afro house, always with plenty of emotion. His first remix is a lush layering of feathery drums and skyward melodies with the original vocal bringing plenty of heart-aching soul. It’s a life-giving work for a moment of pure celebration and release, and shows how musical and artful house can be in the right hands. Extended dub and instrumental remixes all bring out subtly different facets of the original without losing its uplifting essence.

Brandon Weems and Craig Handfield are Musclecars, a duo with a community-first approach to music. From high-profile magazine front covers to gigs at Panoramabar and their residency at Nowadays in New York, they have a fresh and authentic sound that pulls from soul, jazz, and disco on labels like BBE, RhythM Section, and their own Coloring Lessons.

Their majestic, 10-minute remix is a soulful deep house odyssey designed to nourish and enrich. The soaring vocals come from a place of love, and there is freedom to the jazzy melodies and lavish percussion that warms the heart while pianos and synths are locked in a joyous tussle. The dub shifts things back to chunkier, more bouncy drums, with slightly pared-back, more late-night melodies, while the instrumental is all about giving everything room to breathe.

We are presenting the Musclecars Extended Remix of ‘Touch The Sky’ feat. Tony Momrelle.

Touch The Sky feat. Tony Momrelle Remixes EP will be available via Nervous Records after July 3rd HERE.

GAZZA (US) may be a new name on the scene, but his productions have already turned the heads of heavyweight tastemakers such as CamelPhat, Vintage Culture, Kevin De Vries, and many more. On his debut outing for South of Saturn, the Atlanta-born DJ and producer continues to establish himself as one to watch in the modern house landscape.

“I made this track over a year ago and really believed in it from the start. Then it began getting tons of support, so I knew it had to land in the right home and no better than one of Lee Foss’ legendary labels. It’s an absolute honor to be putting this out on the label.” – GAZZA (US)

‘Trigger Finger’ is a pulsating ride of a track that brings together tight drum programming, rugged low-end, and moody rapped vocals. Built for the heads-down, hands-up moments, the track has already seen heavy rotation at Club Space and beyond.

We are presenting ‘Trigger Finger’.

‘Trigger Finger’ will be available after June 12th HERE.

Over the last few years, CHMPLOO have put themselves on the map thanks to their inventive blend of house, tech, and minimal, with elements of hip-hop, breaks, and funk. The Canary Islands-born duo have landed on the likes of CUFF, Solid Grooves, and PNK Records and have worked their way into the sets of tastemakers such as Joseph Capriati, Amine Edge & DANCE, and Latmun. Now, CHMPLOO step up once more with a fresh three-tracker for Lee Foss’s Repopulate Mars label.

Opener ‘MSC CNTRL’ is a dark, gritty tech house cut stripped to its bare bones. Dry, crispy hits and threatening vocals lurk in the shadows as twitchy synths and whirring machines sketch out a bleak post-human world that’s perfectly suited to strobe-lit dance floors. ‘WILD IS WIND’ has tight kicks and rolling bass with bluesy vocals bringing dark, alluring soul. It’s a captivating contrast with the muscular grooves, finished with a sultry jazz sax that drifts in and out. ‘L0V3’ closes down with grubby bass bobbing beneath more slick, minimal drum work and ghostly, heartbroken vocals that shimmer through the mix.

We are presenting ‘WILD IS WIND’.

‘MSC CNTRL’ EP will be available after June 5th HERE.

Idium, aka Nick & JC, have been producing House Music for over 20 years. Nick was a former resident at Sheffield’s notorious Rise nightclub, while JC held a residency during the iconic Gatecrasher era. The pair met through the Northern House scene and have remained close friends, both producing across multiple genres and aliases before finally joining forces in the studio. Their first collaboration, the disco-inspired bootleg ‘Your Affection’, quickly gained support from some of the biggest touring DJs on the circuit, leading to a wave of original productions now set for release throughout 2026. Their debut original single ‘Justify’, featuring Samantha Seth, defines the IDIUM sound – Sisco-inspired house music with soulful energy, musical depth and modern production. Inspired by artists, labels and movements connected to the golden eras of house music including Defected, Subliminal, Mousse T., Dennis Ferrer, Groove P and Shapeshifters, IDIUM blend classic influences with a modern underground edge. Their 4-deck DJ sets pulse with disco and classic house energy, layered with exclusive edits, acapellas and remixes that create a sound and atmosphere unique to every performance. 2026 sees a string of releases on their own imprint, IDIUM Recordings, while ‘Justify’ lands on Bohemian Disco.

Born out of a Subtone writing camp, this uplifting floor-filler ‘Justify’ features filtered and hypnotic strings alongside Disco brass, guitars, underpinned by an irresistible funky bassline and topped with a heartfelt from Samantha Seth. Created with a focus on originality rather than chasing trends, the track was intentionally designed to capture the feeling of sampling disco culture without relying on obvious overused hooks or full-song recreations. Also on the package, Bohemian Disco label boss Jason Herd takes the energy to the next level delivering a peak time dub, led by a funky driving bassline, rising synths, powerful build-ups and a sampled lead synth, beautifully tailored for those more uplifting sets.

We are presenting the Jason Herd Remix.

‘Justify’ EP will be available after June 5th HERE.

White Off hails from Milan and is a key player in the local scene, holding down residencies at Amnesia Milano and Underpass. It was there that he honed his musical identity after years of playing guitar, experimenting with Fruity Loops and delivering extended sets. He has since made his mark at international hotspots such as Hï Ibiza for Metamorfosi and released on Deeperfect, Issues, and SK Recordings. On his latest release, White Off heads to Lee Foss’ flagship Repopulate Mars imprint with ‘2ssy’.

“This EP comes from a need to strip things down and focus on what really matters: groove, vocal, bass and small details that evolve over time. It features fresh, recognisable vocal touches that give each track its own identity without taking over. The idea was to make something that works properly in the club, but that you can also sit with and listen to outside of it; something functional, but still deep and immersive.” – White Off

Opener ‘2ssy’ is lean, funky and direct. Built around a tight drum pattern and a clipped, percussive bassline, an alluring female vocal sits at the centre with an iridescent, forward-facing sheen. The more wonky ‘Xscape’ rides a bulbous bassline with popping hits and sleazy vocals. Mesmeric Eastern strings drift in and out, adding a summer edge to this fresh, elastic invitation to dance.

We are presenting the title track, ‘2ssy’.

‘2ssy’ EP will be available after May 29th HERE.

Produced by Omary and elevated by the masterful ghaita playing of Mehdi Nassouli, the original track radiates pure joy, energy, and the spirit of Moroccan festivity. DJ MEDI’s remix preserves this authentic emotional core while reshaping it into a dynamic, club-ready experience.

Blending driving electronic rhythms with the piercing, expressive tones of the ghaita, the remix creates a hypnotic dialogue between tradition and modern sound design. The organic textures of the original are amplified through deep grooves and atmospheric layers, transforming the track into a high-energy Afro-electronic journey.

This remix stands as a tribute to Moroccan musical heritage where Omary’s production and Mehdi Nassouli’s live instrumentation meet DJ MEDI’s contemporary vision resulting in a sound that is both deeply rooted and globally resonant.

We are presenting the DJ MEDI remix of ‘Skanja’.

Skanja (DJ MEDI Remix) will be available after May 29th HERE.

Sunderland-born, London-based producer Dharma returns to La Mano’s Sound Du Jour with the ‘Home Trip’ EP, arriving 29th May 2026, following a previous appearance on the label remixing Vyvyan in 2025. A trained multi-instrumentalist who has performed across orchestras and bands, Dharma’s releases have appeared on labels including Permanent Vacation, Me Me Me, and R&S Records, establishing him as a distinctive voice within the contemporary electronic landscape.

Opening track ‘Home Trip’ pairs soaring breakbeats with fluttering synth lines and R&B-tinged vocal touches, creating a bright and uplifting groove that balances festival-ready energy with an intimate melodic core. Belfast-born producer Hammer then steps in on remix duties. Known for euphoric, analogue-leaning productions on labels including Skylax Records and Semi Delicious as well as his own Remmah imprint, the Rinse FM regular reworks the track into a chugging house cut with sweeping, prog-tinged melodies that build towards an emotional dancefloor lift-off.

Elsewhere, ‘Tundra’ leans further into Dharma’s breakbeat palette, pairing crisp, driving rhythms with a buzzing synth lead that brings a bittersweet melodic edge as layers gradually build throughout the arrangement. Closing track ‘Techno Bagpipes’ rounds out the EP with another expansive breakbeat excursion, its shimmering leads and cascading melodic lines lending a cinematic, escapist quality to the dancefloor.

We are presenting the title track, ‘Home Trip’.

‘Home Trip’ EP will be available after May 29th HERE.

Decibel Place arrives on Dorbachov’s Scrap & Delete with the ‘Swarm’ EP, coming with a remix from Belgium’s Steve Redhead. Known for navigating the darker, more experimental edges of the genre while maintaining driving, floor-focused energy, the Liverpool-based Decibel Place has previously delivered on labels including Materialised, Transition, MASS, and Khazad Records. As a DJ, he continues to earn attention with his tightly constructed sets across the hardgroove circuit, a sensibility carried through this latest body of work.

The EP opens with the title track ‘Swarm’, setting the tone through immersive, tension-building arrangements. Undulating sound design and tightly interlocked rhythms draw the listener into a dense, atmospheric space, rich in detail and forward motion. Steve Redhead steps in on remix duties, reworking ‘Swarm’ into a stripped-back, percussive cut defined by clarity and control, where subtle shifts in rhythm and texture drive a deeper, hypnotic propulsion.

‘Infection’ follows with a shift into more industrial territory, introducing broken rhythms and raw, mechanical textures that sharply punctuate the groove. Closing track ‘Smoking Kills’ leans fully into hardgroove territory, with driving drums and visceral energy bringing the EP to a powerful, club-ready finish.

We are presenting ‘Smoking Kills’.

‘Swarm’ EP will be available after May 22nd HERE.

Detroit’s Tyke makes his debut on Lee Foss’ Repopulate Mars with the ‘1,2 Roller’ EP this May, continuing a steady run of form that’s seen him release on Hottrax, Mood Child, and Tamango. His sound folds in minimal and deep tech while staying rooted in groove, and his latest release showcases another original exploration of deep dancefloor dynamics with real personality, already picking up support from names like Yaya, Joshwa, and more.

“I’m really excited to be releasing this EP with Repopulate Mars. It’s been a target label of mine for quite some time, so this moment means a lot. The label is home to so many legendary tracks and continues to push the sound forward, so it’s a real honor to be part of it. I wanted this EP to live in that darker space: built for the club, but equally effective outside of it. Basslines that ‘talk’ to the listener, drums that groove, and synths that pull you in.” – Tyke

Title cut ‘1,2 Roller’ opens with snappy tech drums and rapped vocals that bring plenty of attitude. A buzzy lead cuts through the mix, building tension while fat bass keeps things rooted – it’s a bold, lively cut with rich sound design. ‘Can’t Stop’ follows with a nimble, funky bassline beneath crisp percussion and a cooing female vocal. ‘Got Caught’ closes out the EP with future-facing tech energy, pairing taut bass twangs, ass-shaking grooves, and R&B samples that will detonate any party.

We are presenting ‘Can’t Stop’.

‘1,2 Roller’ EP will be available after May 15th HERE.